NB: All of the items listed below are either inserted in the text or are accessible through links provided therein. Items that appear in the text are assumed to be in the public domain or are protected by the author's copyright. If copyright persists for any of the following, New Music Classics will promptly and courteously remove the item(s) in question at the copyright owner's request.
1. Maurice Ravel's title-page design
for Le Tombeau de Couperin. |
2. Pablo Picasso, Les demoiselles
d'Avignon (1907), Museum of Modern Art, New York. |
| 3. Mary Cassatt, The Letter (1891), National Gallery of Art, Washington, D.C. |
4. Horace Walpole, Strawberry
Hill (1749–77), Twickenham, England. Exterior. |
5. Horace Walpole, Strawberry
Hill (1749–77), Twickenham, England. Interior. |
6. Thomas Jefferson, University
of Virginia, (1804–17), Charlottesville. View of Rotunda,
pavilions, and landscape. |
7. Thomas Jefferson, University
of Virginia, (1804–17), Charlottesville. Pavilion. |
8. Cass Gilbert, Woolworth Building
(1913), New York City. Vintage postcard views of the building
at night (8a) and during the day (8b). |
9. Jacques-Louis David, The Oath
of the Horatii (1784), Louvre, Paris. |
10. Illustration of Hepplewhite
Period Victrola appearing in "How to Get the Most Out of
Your Victrola" (Camden, New Jersey: Victor Talking Machine Company,
1918): [2]. |
11. J.-A.-D Ingres. Raphael
and the Fornarina (1814); Harvard University Art Museums; Cambridge, Massachusetts. |
12. Raphael, Portrait of La Fornarina
(c. 1518–19), Galleria nazionale di arte antica, Rome. |
13. Picasso, ["Raphael and the Fornarina"]
from Suite 347 (1968). |
14. Wassily Kandinsky; Jocular
Sounds (1929); Harvard University Art Museums; Cambridge, Massachusetts. |
15. Thomas Jefferson (after Robert
Morris and Andrea Palladio), Monticello (1771–82),
near Charlottesville, Virginia. |
16. William C. Smith (after Ictinus, Callicrates,
and Phidias); Parthenon (1897); Nashville, Tennessee. |
17. M. M. Posokhin (after Konstantin A. Thon),
Cathedral of Christ the Savior (1883/1999), Moscow. |
18. Canaletto, The Piazza of San Marco Seen
from the Northwest Corner (after 1756), National
Gallery, London. |
19. Samuel Bourne, Vishnu Pud and Other Temples
near the Burning Gat, Benares (c. 1865), American Museum
of Photography. |
20. United States Postal Service (C. Norwood
et al.), Pacific 97 Triangles (1997). |
21. Alexander Pope, Garden Obelisk (1732), Twickenham,
England. |
22. A. W. N. Pugin, Mount Saint Bernard Abbey
(1840–44), Leicestershire, England. Drawing of exterior
(22a) and view of interior (22b). |
23. Quinlan Terry, Villa Veneto (1989–91),
Regents Park, London, England. |
24. Josiah Wedgwood and John Flaxman, Dancing
Hours (1775). Mantel plaque (black-and-white scan with two
colorized examples.) |
25. William Dyce, Madonna and Child (c.
1827–30), Tate, London. |
26. David Ligare, Landscape with a Specific
View (1988), private collection. |
27. Henry Wallis, The Death of Chatterton
(1856), Tate, London. |
28. B. F. Rastrelli, Charles Cameron, et al.,
Catherine Palace, Tsarkoye-Selo (1762 f.), Pushkin, Russia. |
29. Vasily Neyelov, Admiralty (1773–77),
Tsarkoye-Selo, Pushkin, Russia. |
30. Charles Cameron, Cameron Gallery (1780–95),
Tsarkoye-Selo, Pushkin, Russia. |
31. Charles Garnier, Paris Opera (1861–75). |
32. Charles Garnier, Paris Opera (1861–75). |
33. I. M. Pei, Louvre Pyramides (1989),
Paris, France. |
34. Jacques-Louis David, The Intervention
of the Sabine Women (1799), Louvre, Paris. |
35. J.-A.-D Ingres, The Apotheosis of Homer
(1827), Louvre, Paris. |
36. Nicolas Poussin, Self-Portrait (1650),
Louvre, Paris. |
37. Carlo Maria Mariani, The Moon Enters Closed
Eyes (1995–96). |
